![]() This is where you add in all those cool licks and runs you have stored try both pop and slapping these ideas as well as plucked. There is space for fills at the end of this groove pattern, hence the inclusion of E min pentatonic and the diatonic scale (with Aeolian and Ionian roots marked out). The last 2 bars are the full pattern with a cheeky hammer on for interest. ![]() ![]() These build you up to the triplet feel and the full pop and slap pattern, so concentrate on the rhythms and timing here. Once you have nailed those move onto the next 2 bars. The first three bars are played straight so concentrate on the technique and changes. The primer should be used to get yourself acquainted with the changes, technique and gaining control over the open strings before heading on to the triplet pattern – a lot there so take it slow. This can be played in a variety of places on the bass, however here we are going to use 1 st position and open strings. The main groove is a triplet based pop and slap part on the chords Em, G and Am.
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